![]() Like no other record before, and some would say since, it consolidated funk, pop, classical and the avant-garde in the most sophisticated, seamless way, some feat considering Gainsbourg and Vannier weren't sure what was going to happen at the outset. It's been sampled by Massive Attack, Ice T and David Holmes, while Pulp, Beck and Air would have sounded very different without it. It is still in many ways a cult concern, especially outside of France, a word-of-mouth nonpareil that has its evangelists, with an underground of fans who resent the cheesy chanson tag. ![]() With the aid of London session musicians like Herbie Flowers and Dougie Wright as well as a 30-piece orchestra and a 70-strong choir back in Paris (not to mention Jane Birkin), they created a record of rare dynamism and of such unfettered exploration that it inspires a rare devotion in its fans to this day. This is an unfortunate association and a millstone in some ways, yet the success of that track opened the record company's coffers, enabling him and orchestral arranger Jean Claude Vannier to lavish money on 1971's Histoire de Melody Nelson. As the writer of 'Je T'Aime (Mon Non Plus)', the unlikely 1969 UK No.1 that got even us prurient Anglo-Saxons drawing the curtains in the afternoon, Gainsbourg is often mentioned in the same breath as Gallic romantic singers Sacha Distel and Charles Asnavour.
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